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Art Project

Artist Talk: Galway, Ireland

Below is the artist talk I gave at Watershed Studios in Galway, Ireland. The Maine Arts Commission sponsored this residency – an independent state agency supported by the National Endowment for the Arts. Personally, I think the talk was good and I explained myself well, but I was really disappointed with the turnout. I promoted this a lot, and I hope the residency did, too. As it was, however, no one from the Galway arts community participated beyond the residency. I found this to be a consistent theme in Galway, that the residency did nothing to help promote my being there

March 28, 2022

Walking on Both Sides Part 3 is a mixed media collage using newspaper headlines to contrast reality.

Criticism

Manipulation of the Art Market

The manipulation of the art market is the stuff of legends and actually pretty transparent. It’s run “in secrecy” by the super wealthy in a way to make them more wealthy. It’s about intimidation, and that game works for them. This is why I always tell people to buy what they like. Don’t buy art to match the décor (the art will outlast the décor) and don’t buy art to compete as an investor either (the game is rigged before you even enter it). Artists suffer the worst consequences, but there is a way to solve this: buy local artists

March 28, 2022

Manipulation #11 - House on Newcastle is an abstract photo of Galway, Ireland using oil pastel and acylic paint with red, green, and blue coloring.

Criticism

The NFT Market is a Massive Ponzi Scheme

Seriously, if you’re considering getting into the NFT market, seller beware. It is not really buyer beware if you can convince people to jump into the game. Simply put, the more people in the game the easier it is to sell and make a profit. I can’t say it as well as Canadian Artist Kimberly Parker puts it, so you should read her article posted below. In short, she did a massive data scrape of those markets that sell NFTs, and the results show that the average artist actually loses money, and that data are skewed by the very few

March 28, 2022

Essen Coal #1 is an abstract photo of the Welterbe Zollverein mine in Essen, Germany.

Art

Reception Theory as a Visual Art

A Definition of Reception Theory Reception Theory judges an audience’s response to a particular communication method. In particular, it began as an analysis of how readers interpret literary texts. Interpretation is inherently built into Reception Theory. This means there is a gap, a difference of opinion, between what the communicator meant and what the audience understood. Reception Theory academics often tackle the two sides of the theory: what is communicated and what is interpreted. How I Interpret Reception Theory I work specifically with that space in between what is communicated and what is interpreted. To me, that space is fundamentally emotional.

March 19, 2022

First Parish of the Abstract Artist abstract photo using blue, green, grey, and yellow

Art

Redirecting the Message

Redirecting the Message: A Definition Redirecting the Message is an art project that revolves around misinformation and communication bias. I take images, words, and objects and re-purpose them into other forms so that a new message is created from the old one. This is a part of my Reception Theory project, which relates to communication and interpretation. Therefore, the purpose is to show how one message can easily be changed to mean something different. In other words, information is easily re-purposed to fit the communicator’s agenda. As a result, the audience must decide what is real or not. What to Look For

March 19, 2022

Exhibit

UNH Museum of Art: On the Edge

I was happy to have been accepted into the UNH Museum of Art exhibit On the Edge, which exhibited from January through March of 2022. The image they accepted was a charcoal minimalist drawing of a small town in Andalucía, Spain. We stayed in Ardales during a climbing trip to the El Chorro climbing area just west of Malaga. I actually created several drawings and paintings of the area. Una Vista de Ardales, charcoal on paper (2017), is a drawing of the downtown area looking up the hill toward the ruined castle. I worked on the drawing before attempting to

March 14, 2022

Greg Mason Burns

Artist Talk: Galway, Ireland

Manipulation of the Art Market

The NFT Market is a Massive Ponzi Scheme

Reception Theory as a Visual Art

Redirecting the Message

UNH Museum of Art: On the Edge

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