Greg Mason Burns

Blog

Experiments in Watercolor: Diversity in Luminosity
Exhibit
Greg

Experiments in Watercolor: Diversity in Luminosity

  Experiments in Watercolor: Diversity in Luminosity, is a seven-artist exhibit that I have both curated and am in as an artist. The show runs at the UMVA Gallery at 516 Congress Street in Portland, Maine for the month of May, 2022. The artists, including me, are: Alan Crichton, Arthur Nichols, Liz Prescott, Rabee Kiwan, Ed Nadeau, and Jack Silverio. I created this exhibit as an attempt to show how watercolor has many varieties of work. I believe most people think of watercolor as great washes of landscapes and portraits. But I have often worked in the abstract, and many

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Essen Coal #1 is an abstract photo of the Welterbe Zollverein mine in Essen, Germany.
Art
Greg

Reception Theory as a Visual Art

Introduction of Reception Theory as a Visual Art Reception Theory as a visual art can be described as thus: Imagine a town, or a village, that does not exist in our reality but we know it is there nonetheless. We cannot visit it or touch the buildings or talk In order for this town to exist, this town must have been created before. And it was, by two entities. Actually, it was not created by two entities, but by the void that exists between the two entities instead. The town exists in the void. One entity (the communicator) provides the information of

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First Parish of the Abstract Artist abstract photo using blue, green, grey, and yellow
Art
Greg

Redirecting the Message

Redirecting the Message: A Definition Redirecting the Message is an art project that revolves around misinformation and communication bias. I take images, words, and objects and re-purpose them into other forms so that a new message is created from the old one. This is a part of my Reception Theory project, which relates to communication and interpretation. Therefore, the purpose is to show how one message can easily be changed to mean something different. In other words, information is easily re-purposed to fit the communicator’s agenda. As a result, the audience must decide what is real or not. What to Look For

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UNH Museum of Art
Exhibit
Greg

UNH Museum of Art: On the Edge

I was happy to have been accepted into the UNH Museum of Art exhibit On the Edge, which exhibited from January through March of 2022. The image they accepted was a charcoal minimalist drawing of a small town in Andalucía, Spain. We stayed in Ardales during a climbing trip to the El Chorro climbing area just west of Malaga. I actually created several drawings and paintings of the area. Una Vista de Ardales, charcoal on paper (2017), is a drawing of the downtown area looking up the hill toward the ruined castle. I worked on the drawing before attempting to

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Public Murals Brunswick ME
Painting
Greg

Public Art Commission: Brunswick, ME

I never expected to anything to come from joining the ArtWalk in Brunswick, ME. For one, the ArtWalk is mostly craft works. There are some fine artists, but very few abstract artists show here. Because I’m new to the area, I’ve been trying to drive traffic to my studio at the Fort Andross Mill. The ArtWalk is well-attended, so I figured I’d catch someone’s attention there. What ended up happening was behind the scenes, and I got my first public art commission out it. The process was simple. The Downtown Association sent out an email and I responded with a

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Art Project
Greg

Springboard Artist Grant by the Maine Arts Commission

I’m super excited to receive a Maine Arts Commission Springboard Artist Grant in 2021. I will use the funds for my residency at Watershed Studios in Galway, Ireland in November of 2021. While there, I will develop a stronger body of work in my abstract photography series, currently titled “Re-directing the Message“. At the same time, I will develop a series of collage-based abstract photography works. This is a bit of a defining moment for me, as it is my first grant. I’m also grateful because I also didn’t think I would be getting the grant. There was one panelist

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