Masonry - Greg Mason Burns

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February 22, 2015

Drawing Tips for the Advanced Artist

[caption id="attachment_3832" align="alignleft" width="300"] A sketch by me early in my career[/caption] As I do often when I have some time to kill, I float through the Internet looking for ways to improve as an artist. Sometimes I stumble on basic instructions such as this one about shape and form. I find these basic instruction sites helpful because it helps to remind me the fundamentals. However, I much prefer to take the next level. That's why I was happy to have found Keene Wilson's art notes for the advanced artist. Wilson does a great job of just listing things to remember....

February 19, 2015

Greg

Conversations About Art: Abstract with Guido Viaro

[caption id="attachment_3837" align="alignright" width="250"] One of Guido Viaro's favorite artists: Kandinsky - Improvisation 3 - Oil on Canvas (1909) - Centre Georges Pompidou[/caption] Guido Viaro and Abstract Art As a writer, Guido Viaro is currently working on abstract short stories, but it's abstract as an idea that influences him. "In my working room I’m surrounded by abstract paintings by Guido Viaro," he says of his grandfather of the same name. "I love all Kandinsky, perhaps for his previous studies of proportions and colors. I love Paul Klee for his fake innocence. I love Jorge Luis Borges for his short story “The Aleph”....

December 21, 2014

Greg

Trust in the Process: Understanding Introversion (because we don’t)

[caption id="attachment_3846" align="alignleft" width="226"] Understanding Introversion: Self-Portrait - oil on canvas (2014)[/caption] Understanding Introversion Part I this series is here Part II this series is here Part III this series is here Part IV this series is here Introversion and being an artist actually have little to do with each other. As much as people would like to pigeon-hole artists into the introversion category, I'm not convinced it's true. There are an awful lot of artists out there who prefer to just want to be out there with other people, attending shows, or generally being the center of attention. As it happens I'm not one of...

December 18, 2014

Greg

Technique Instruction: Pastel Portraits

[caption id="attachment_2862" align="alignleft" width="160"] Pastel Portraits: Self-portrait - oil pastel on glass (2013)[/caption] I paint mostly with oils, but I have ventured into the realm of oil pastels at times with some success with portraits. In fact, probably three of my most popular works have been oil pastel paintings (seen below). I recently came across this step-by-step pastel portrait link by Gwenneth Barth-White, and thought it would be nice to share. It actually more follows how I build up my oil paintings (though I'm much less deliberate and more emotional instead), but it's still nice to see a good process. Enjoy: I...

December 18, 2014

Greg

2014 Year in Review: Greg Mason Burns

This was a huge year for me artistically. I had my first museum and gallery exhibits and produced some of the best paintings I've done. My work has developed in both the abstract and figurative realms, and my style has strengthened. Below is a video of my work in 2014. I hope you enjoy. You can see the videos on both my youtube and vimeo channels. https://www.youtube.com/watch?v=D9ZqXCxC1l4 ...

December 18, 2014

Greg

History of Color: Gold

I recently posted a video from the BBC about the history of the color blue. It was such a fascinating watch [caption id="attachment_4569" align="alignleft" width="225"] Manipulation #12 - Dublin Streets[/caption] because blue is the most important color on my palette. This new video from the BBC is about the color gold, and, as expected, it's influence is pretty far reaching. And who knew that the greatest goldsmith of all was also a murderer, a rapist, and once stole gold from the Pope? Pretty daring stuff I'd say. I've never done a lot with the color gold itself. I tend to rely more on...

December 9, 2014

Greg

Technique Instruction: Figurative Oil Painting

[caption id="attachment_380" align="alignleft" width="300"] Figurative Oil Painting: Portrait of Nivea Bona - oil pastel on glass (2013)[/caption] My strongest work are my abstracts, but sometimes the figurative comes out in me and I produce some good landscapes, still life paintings, and portraits. I enjoy these more than my abstracts because of the challenge they present, but like anything they require practice. I came across these videos by Joseph Lorusso who shows us how he builds up his palette and uses it on canvas to produce a portrait. There are some good tips in here on figurative oil painting. I hope you...

December 9, 2014

Greg

Technique Instruction: How to Varnish a Painting

This page, with accompanying slideshows and photos, is the most comprehensive article on how to varnish a painting I've ever seen. It's put together by NitpickyArtist.com, which has a lot of good technical info including advice on how to reduce glare, how to enter juried shows, or even info about table surfaces and easels. You may not want to follow this person's advice all the way through, as it's quite complex, but there are a ton of good ideas in here to use otherwise. It was the section at the bottom on how to clean a varnish brush that caught...

December 9, 2014

Greg

Behind the Painting: Igreja do Cerro Branco (and other small towns)

[caption id="attachment_3865" align="alignright" width="250"] Painting Small Towns: Igreja do Cerro Branco - Watercolor on Board (2014)[/caption] I grew up in a small town on the coast of Maine, mostly on an island but sometimes on a peninsula near that island, too. The shop doors would open in May and the tourists started trickling in around Memorial Day at the end of the month. Things would turn into a boom from the 4th of July until Labor Day at the beginning of September. When I was growing up, October was quiet but these days leaf peepers come in hoards, making October the...

December 3, 2014

Greg

Trust in the Process: The Myth of the Right-Left Brain Mentality

[caption id="attachment_3213" align="alignnone" width="1100"] The Myth of the Right-Left Brain Mentality: City VII - Roses - Oil on Canvas (2014)[/caption] Part I of this series is here Part II of this series is here Part III of this series is here The right and left parts of the brain may do certain things, but they don't operate exclusively. I took this right-brain vs. left-brain test recently and scored 16 out of a possible 21 (there are 22 questions, but one is the same with reversed answers). I'm borderline "moderate" to "strong" right brain, which means I'm supposed to be more creative in my life. There...

December 1, 2014

Greg

Trust in the Process: Where Does Creativity Come From?

[caption id="attachment_3213" align="aligncenter" width="1100"] Where Does Creativity Come From? - City VII - Roses - Oil on Canvas (2014)[/caption] [caption id="attachment_3865" align="alignleft" width="250"] Igreja Do Cerro Branco - Watercolor on Board (2014)[/caption] Part I of this series is here. Part II of this series is here. Where Does Creativity Come From? Count me as skeptical. But skeptical of what is something I'm not really sure about. Where does creativity come from? I have no idea, except I know that it comes from me. I guess maybe it comes from the universe, or the Universe, whichever you feel better about. Or maybe it comes from within....

November 25, 2014

Greg

Music and Its Inspiration in the Studio

I'm a big music fan. I couldn't hold a note if you glued it to my hand, but I certainly try when working in the studio. In general I'm most inspired by Indie bands such as The Mars Volta, Cloud Cult, or Sleater-Kinney, among others. I also have a lot of New Wave and Mod-Rock on my playlist. Even Flamenco gets me in the mood more than once per week. For some strange reason, however, I've lately been heavily inspired by outlaw country - mostly songs like Waylon Jennings's Ain't No God in Mexico or Willie Nelson's Pancho and Lefty....