Greg, Author at Greg Mason Burns

Book Review: Watercolor Book

[caption id="" align="alignright" width="210"] The Watercolor Book by David Dewey[/caption] Bob MacEvoy has a lot of information regarding watercolors. Below is some text and a link to the site regarding his book review of The Watercolor Book by David Dewey. He has other book reviews, and if you click on his sitemap then you'll see a lot of other watercolor related links. "Dewey – This is one of my all time favorite art books, a model of concise instruction, wise advice, deceptively simple exercises, and compact design. Like they say on TV: if you buy just one watercolor book, make it this...

October 23, 2014

Greg

in Art

Art and Productivity: Trust in the Process

To read the first part of Art and Productivity, click here: [caption id="attachment_263" align="alignright" width="300"] Trust in the process: This painting took time to realize[/caption] In the first part of this series, I mentioned two things. One is how the artist can never shut off the artistic process. And the other is that the artist is just as productive as the normal corporate worker, if not more so. In this part I'll talk about the real reason why the starving artist exists. The Myth of the Starving Artist There is this myth that the starving artist exists because suffering creates great art. There may...

October 22, 2014

Greg

in Artistic Process, Criticism

A History of the Color Blue

History of the Color Blue - Cidade à Noite - Guido Viaro Museum As a painter I have been fascinated by the history of the color blue. I'm certainly not alone. Picasso is probably the most famous of the past 100 years to have produced a significant blue period, so to speak. Of course, as was Yves Klein. In my paintings, since I really am completely self-taught and really only inspired by those who create what I have no interest in creating, none of these blue periods or obsessions have influenced me. My own blues come from my own tastes. I'm not...

October 19, 2014

Greg

in Art

Instruction: Step-by-Step Watercolor Painting

[caption id="" align="alignright" width="300"] Step-by-Step Watercolor Painting: Mediterranean Beach Scene by Allan Kirk[/caption] Watercolorpainting.com has some nice step-by-step watercolor painting processes on how to paint specific paintings. I chose this Mediterranean Beach Scene by Allan Kirk to post here. He has a nice way of building up the painting. Although while I use much lighter washes than he does in the beginning, the technique is the same. I hope you enjoy this lesson by Allan Kirk. I do things a bit differently these days. For one, I start with light washes and build up over time, darkening the areas that need more...

October 9, 2014

Greg

in How-to in Art

Material of the Month: Watercolor Paint

[caption id="attachment_3913" align="alignright" width="291"] Watercolor paint: Puerto de San Antonio - Watercolor on Board (2014)[/caption] This is the first post of what I hope to be will be a "Material of the Month" string of posts. I'm a painter, and I'm also self-taught, so I see this series as a sort of informal education for me as well. This month I'm working with watercolor paint, which is something I've been getting into more this year. I began my career as an oil painter, and I still consider oil to be my main focus. However, I really enjoy working with watercolor because...

October 6, 2014

Greg

in How-to in Art

Art Transcending Science

[caption id="attachment_3250" align="alignright" width="300"] Zapatos de Flamenca - Art Transcending Science[/caption] This article by author Amy Kelly suggests that art and science have developed together over time, despite having opposite functions.Published by the University of Wisconsin La Crosse, the article suggests that art and sciences have long been linked. This is true even in the 20th century where it is rare to find people participating wholly in both areas. After all, art is supposedly more emotional while science is supposedly more logical. This is in spite of the fact that many artists create logic-based art (M.C. Escher, for example). Of course,...

September 17, 2014

Greg

in Contemporary Art, Criticism

The Precise Moment Impressionism Began

[caption id="attachment_3918" align="alignright" width="245"] Impression, Soleil Levant by Monet (1872) - The Precise Moment Impressionism Began[/caption] I know, the title is crazy, but someone out there decided to try to find the precise moment impressionism began. Astrophysicist Donald Olson from Texas State University actually took a crack at finding that exact moment using the angle of the sun, the position of the boats, and the wind / weather conditions noted in the painting. The result: Impressionism began on November 13, 1872 at 7:35 AM.This is crazy stuff, but fascinating none the less. First the sleuth poured over hundreds of photos to...

August 31, 2014

Greg

in Art, Contemporary Art

Oil Over Acrylic

The more I paint the more I realize that not only is oil the right medium for me, but it's superior to acrylic. I have a few paintings that would have been much easier to create with acrylic, mostly because of acrylic's fast-drying quality. And believe me, there have been moments, such as the one I'm experiencing now, when I wish I would just relent and use acrylic just to get the waiting done and over with - especially since I need to have a particular painting finished before the photographer comes over late next week to take pics. But...

August 23, 2014

Greg

in Art, How-to in Art

Art and Productivity

[caption id="attachment_3295" align="alignleft" width="300"] Art and Productivity: when art develops over time[/caption] This has been something on my mind for some time. I wouldn't call it a rant, or really anything new, but it is a reality and I believe an important point to share: that artists are as productive as corporate workers in spite of not being able to show anything at the end of a particular day. Thinking is Working Look, I get what you're thinking - how is it possible that an artist is working when sitting in a café watching the world go by? There's no way to put...

July 23, 2014

Greg

in Artistic Process, Criticism

rEvolution: An Exhibit at Museu Guido Viaro

[caption id="attachment_3927" align="alignleft" width="250"] At the Museu Guido Viaro (photo by Nivea Bona)[/caption] The exhibit ended at the Museu Guido Viaro on May 10, 2014, and it was a success for a couple of reasons. One is that I now have two paintings no longer in my possession. Barcelona Rooftops sold to a private collector and Cidade à Noite became a part of the museum's permanent collection. The owner of the museum, Guido Viaro (the grandson of the Brazilian painter of the same name for whom the museum is dedicated to), has been gracious enough with his time to introduce me to...

May 21, 2014

Greg

in Exhibit

Greg Mason Burns

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