Greg Mason Burns

Art

Public Art in Brookline, MA

Harvard Ave Utility Box

Harvard Ave Utility Box - 172 Harvard Ave, Brookline Getting the commission of this Harvard Ave Utility Box was a great success for me. It is my first public art commission since moving to Boston. I've already done four murals in Maine (here and here), but I was hoping to get more opportunities in Boston. This is especially true since I live in Allston, which people know for street art. That turned out to be difficult at first. Yes, there are more opportunities and certainly one doesn't have to convince people as much on the value of public art because it is...

Public Art Commission Kennebec Valley Community College

Behind the Art: Stained-Glass Paintings

The above image of one of my stained-glass paintings is a zoom-in photo of a larger mural that I did for the Kennebec Valley Community College Whitney Wing in 2023. This was the first big break I got from developing this style of painting. Well, actually, it was the second break, but it was the first big one where I actually made some money off my time and materials. The Beginning I wanted to create abstract landscape paintings, and I was already pretty good at abstract overall. My work ebbed and flowed between representative, landscape, and abstract, but I leaned abstract and...

Do You Understand Art

Portrait of Mrs. Edward L. Davis and Her Son, Livingston Davis, oil on canvas by John Singer Sargent, 1890; in the Los Angeles County Museum of Art Do You Understand Art is the fourth in a series of guests posts by my collectors and fans. In this post, Nivea Bona reflects on how art makes us feel something and how we try to rationalize that even when there's no need to do so. Below, Bona shares how this notion challenged her in other parts of her life, and I challenge you to tell me which side I lean toward: intent or in-the-moment...

Public Art Commission Kennebec Valley Community College

Public Art Commission: Kennebec Valley Community College – Fairfield, ME

These are the murals I created for Kennebec Valley Community College in Fairfield, ME (KVCC) via the Percent for Art Program run by the Maine Arts Commission. They are of a stained-glass style and represent the tools, trades, workers, and landmarks of the area and the school's academic program. My murals in Brunswick, ME received a lot of great feedback due to their color and stained-glass concept. I decided to expand on this concept and apply for several other projects. This KVCC project was actually my first competitive commission where I won the contract. In August of 2022, I was...

Cityscape Series: Behind the Paintings

These cityscape paintings are some of the first that I did as an artist. It is not a coincidence that I created them when I first moved to Brazil. There's a huge difference between small-town Maine and big-city Brazil, and it's not the type of difference you get between small towns and big cities anywhere. City II - Oil on Canvas (2012) I had lived in several cities before moving to Brazil, but the level of caution that I needed to exercise with regards to violence was vastly different in Brazil than those other cities. I went from a sense confidence in...

Essen Coal #1 is an abstract photo of the Welterbe Zollverein mine in Essen, Germany.

Reception Theory as a Visual Art

A Definition of Reception Theory Reception Theory judges an audience's response to a particular communication method. In particular, it began as an analysis of how readers interpret literary texts. Interpretation is inherently built into Reception Theory. This means there is a gap, a difference of opinion, between what the communicator meant and what the audience understood. Reception Theory academics often tackle the two sides of the theory: what is communicated and what is interpreted. How I Interpret Reception Theory I work specifically with that space in between what is communicated and what is interpreted. To me, that space is fundamentally emotional. This is...

First Parish of the Abstract Artist abstract photo using blue, green, grey, and yellow

Redirecting the Message

Redirecting the Message: A Definition Redirecting the Message is an art project that revolves around misinformation and communication bias. I take images, words, and objects and re-purpose them into other forms so that a new message is created from the old one. This is a part of my Reception Theory project, which relates to communication and interpretation. Therefore, the purpose is to show how one message can easily be changed to mean something different. In other words, information is easily re-purposed to fit the communicator's agenda. As a result, the audience must decide what is real or not. What to Look For For instance, if...

Public Murals Brunswick ME

Public Art Commission: Brunswick, ME

I never expected to anything to come from joining the ArtWalk in Brunswick, ME. For one, the ArtWalk is mostly craft works. There are some fine artists, but very few abstract artists show here. Because I'm new to the area, I've been trying to drive traffic to my studio at the Fort Andross Mill. The ArtWalk is well-attended, so I figured I'd catch someone's attention there. What ended up happening was behind the scenes, and I got my first public art commission out it. First Parish Church in-progress in my studio The process was simple. The Downtown Association sent out an email...

Color Field Painting

[caption id="attachment_3617" align="alignleft" width="300"] Color Field #4 - Oil on Wood[/caption] What is Color Field Painting? Color Field painting, a derivative of Abstract Expressionism, is essentially the attention to color in abstraction as opposed to form or structure. The early Color Field painters, such as Mark Rothko, Clement Greenberg, and Clyfford Still created large works such that when one was standing up close one was absorbed in the color. Color Field has developed since then with various tendencies moving both further from shape and form and closer to it. What I'm Doing I'm developing color field in a way that combats the color against...

Fiscal Sponsorship for Artists

Why do we have fiscal sponsorship for artists? Anyone remember Piss Christ by Andres Serrano? Yeah, that one - the one where Serrano received about $20,000 in tax-payer money to create art. In my mind, nothing wrong with that - he's an artist who had a provocative photograph, and that's pretty normal in contemporary art - but there were several conservative politicians who did take exception and, as luck would have it, these politicians managed to change how the National Endowment for the Arts (NEA) would distribute tax dollars to artists. [caption id="attachment_2964" align="alignright" width="145"] Immersion (Piss Christ) by Andres Serrano (Image...