Greg Mason Burns

Art

Cityscape Series: Behind the Paintings

These cityscape paintings are some of the first that I did as an artist. It is not a coincidence that I created them when I first moved to Brazil. There's a huge difference between small-town Maine and big-city Brazil, and it's not the type of difference you get between small towns and big cities anywhere. City II - Oil on Canvas (2012) I had lived in several cities before moving to Brazil, but the level of caution that I needed to exercise with regards to violence was vastly different in Brazil than those other cities. I went from a sense confidence in...

Essen Coal #1 is an abstract photo of the Welterbe Zollverein mine in Essen, Germany.

Reception Theory as a Visual Art

Introduction of Reception Theory as a Visual Art Reception Theory as a visual art can be described as thus: Imagine a town, or a village, that does not exist in our reality but we know it is there nonetheless. We cannot visit it or touch the buildings or talk In order for this town to exist, this town must have been created before. And it was, by two entities. Actually, it was not created by two entities, but by the void that exists between the two entities instead. The town exists in the void. One entity (the communicator) provides the information of what this...

First Parish of the Abstract Artist abstract photo using blue, green, grey, and yellow

Redirecting the Message

Redirecting the Message: A Definition Redirecting the Message is an art project that revolves around misinformation and communication bias. I take images, words, and objects and re-purpose them into other forms so that a new message is created from the old one. This is a part of my Reception Theory project, which relates to communication and interpretation. Therefore, the purpose is to show how one message can easily be changed to mean something different. In other words, information is easily re-purposed to fit the communicator's agenda. As a result, the audience must decide what is real or not. What to Look For For instance, if...

Public Murals Brunswick ME

Public Art Commission: Brunswick, ME

I never expected to anything to come from joining the ArtWalk in Brunswick, ME. For one, the ArtWalk is mostly craft works. There are some fine artists, but very few abstract artists show here. Because I'm new to the area, I've been trying to drive traffic to my studio at the Fort Andross Mill. The ArtWalk is well-attended, so I figured I'd catch someone's attention there. What ended up happening was behind the scenes, and I got my first public art commission out it. First Parish Church in-progress in my studio The process was simple. The Downtown Association sent out an email...

Color Field Painting

[caption id="attachment_3617" align="alignleft" width="300"] Color Field #4 - Oil on Wood[/caption] What is Color Field Painting? Color Field painting, a derivative of Abstract Expressionism, is essentially the attention to color in abstraction as opposed to form or structure. The early Color Field painters, such as Mark Rothko, Clement Greenberg, and Clyfford Still created large works such that when one was standing up close one was absorbed in the color. Color Field has developed since then with various tendencies moving both further from shape and form and closer to it. What I'm Doing I'm developing color field in a way that combats the color against...

Fiscal Sponsorship for Artists

Why do we have fiscal sponsorship for artists? Anyone remember Piss Christ by Andres Serrano? Yeah, that one - the one where Serrano received about $20,000 in tax-payer money to create art. In my mind, nothing wrong with that - he's an artist who had a provocative photograph, and that's pretty normal in contemporary art - but there were several conservative politicians who did take exception and, as luck would have it, these politicians managed to change how the National Endowment for the Arts (NEA) would distribute tax dollars to artists. [caption id="attachment_2964" align="alignright" width="145"] Immersion (Piss Christ) by Andres Serrano (Image...

Abstract Minimalist Portraits

I haven't done a Kickstarter proejct for a while, mostly because I'm just not the kind of artist who needs a lot of "one-off" projects fulfilled. My most pressing need at the moment is studio space, and I've been working on my Patreon page to get me to a point where I can have on-gong long-term relationships that help me create art on a regular basis. However, when I saw that Kickstarter was going to be doing a Commissions project, I knew that this type of project would work well for me on that platform. The project is specifically about...

Collaboration: Zaratan by Greg Mason Burns and Daniel Gawronski

[caption id="attachment_3010" align="alignleft" width="240"] Daniel's Trees, as drawn simply by me as a visual example[/caption] I recently did a residency in Lisbon, Portugal and while there I met the other artist-in-residence, Daniel Gawronski. Daniel is an Australian artist who works primarily with sound art. His method is interesting in that he takes images from the natural environment and uses those to map musical compositions. We both attended the residency at Zaratan Arte Contemporanea in Lisbon, but this collaboration was an accident.   For the audio, Gawronski used a photograph of trees from a forest Sintra, Portugal, outside Lisbon, to create a music scale....

The History of Plein Air Painting: A Documentary

Put together by Plein Air Magazine, this Outside the Lines documentary on the history of Plein Air painting is a good watch. It's about 38 minutes long, and covers American and European lines. The cinematography is excellent, too. A lot of history here, so enjoy: https://www.youtube.com/watch?v=F86HvkQaz-o My own history with plein air painting is turbulent. I've never considered myself a great drawer, and I've always felt that drawing is something a plein air painter needs to excel at. I'm sure abstract works can be done plein air as well. But all the plein air painters I see these days are doing exactly...

Art and Taxes: It’s Mostly Good News!

Here's a short and sweet explanation about what artists can do with their art and taxes. It's the same as any business, but there are some things that are good to know. For one, you may need to depreciate that new easel, and you may need to only deduct some expenses after you've sold the artwork. However, if you've bought it or done it for the purposes of making, marketing, or selling your art then you can deduct it. One piece of advice that I would give is don't think you have to file as a business every year. My accountant...