Contemporary Art Archives - Greg Mason Burns

Essen Coal #1 is an abstract photo of the Welterbe Zollverein mine in Essen, Germany.

Reception Theory as a Visual Art

A Definition of Reception Theory Reception Theory judges an audience's response to a particular communication method. In particular, it began as an analysis of how readers interpret literary texts. Interpretation is inherently built into Reception Theory. This means there is a gap, a difference of opinion, between what the communicator meant and what the audience understood. Reception Theory academics often tackle the two sides of the theory: what is communicated and what is interpreted. How I Interpret Reception Theory I work specifically with that space in between what is communicated and what is interpreted. To me, that space is fundamentally emotional. This is...

March 19, 2022

Greg

in Art, Art Project, Artistic Process, Contemporary Art, Criticism, Drawing, Painting, Photography, Reductivism, Video

Artist Residency at The Quarry – Contemporary Arts International

[caption id="attachment_2954" align="alignleft" width="224"] Contemporary Arts International presents: Self-Portrait #2 - oil on canvas - 2013[/caption] Great news. I've been accepted to attend a two-month artist residency at The Quarry at Contemporary Arts International in Acton, MA for 2018. My tenure there will be split between one month in the spring (May-June) and another in the fall (Oct-Nov) with the exhibit being in Nov. My plan is to create ten large pieces similar to the one to the left. Except that I won't be doing silhouettes. Instead, I'll be painting colored squares or stripes as a background and putting the minimalist charcoal...

March 21, 2018

Greg

in Art Project, Contemporary Art, Exhibit, Residency

Incomplete is a minimalist, oil, abstract painting depicting the process of Scottish Independence using blue on a white canvas.

Imago Mundi – Scotland Collection

Incomplete - oil on canvas - 2017 - by Greg Mason Burns. Imago Mundi Project - Scotland Collection I noted late in 2017 that the Luciano Benetton Imago Mundi project asked me to participate in it's collection. A collection of artworks from every single nation on earth, each country has it's own collection. Some countries, such as the UK, have separate pages for the nations that exist within the UK. I am participating in the Scotland Collection. Each artist receives a canvas of the same size, and that's to make it easier to store and exhibit all the different artworks. The artist...

February 16, 2018

Greg

in Contemporary Art, Exhibit, Publications

Redefining The Surreal (Novo-Surrealism)

[caption id="attachment_3015" align="alignleft" width="282"] Redefining the Surreal: What does the gap look like?[/caption] While some of my work may have a hint of Surrealism in it, I am not a Surrealist by definition. And yet I feel as if I am a Surrealist in spirit and maybe by nature as well. To start, I care nothing of dreams and the contradiction between them and real life. This, shown with great realism, is the definition of Surrealism. However, there is a deeper meaning to Surrealism, and if André Breton was right in that Surrealism was a revolutionary movement then I certainly fit...

April 25, 2016

Greg

in Art Project, Contemporary Art

Beauty and Evolution: is Beauty a Defense Mechanism?

[caption id="attachment_3797" align="alignleft" width="208"] Beauty and Evolution: Definitely some evolved vices in this painting[/caption] Beauty and Evolution I can´t argue against this. Denis Dutton has a pretty convincing argument one way or another, but how true is it? His theory suggests that what we perceive as beauty is as evolved as our bodies are. He argues that the shape of a diamond is eerily similar to that of a pre-historic stone spearhead. Furthermore, these stones weren´t just made to kill animals but to show off abilities for the purpose of mating. Think about it, a man makes a stone not to kill,...

January 13, 2016

Greg

in Contemporary Art, Criticism

Conversations About Art: with Bazévian

[caption id="attachment_3826" align="alignleft" width="186"] Post synthétique I by Bazévian - oil pastel, oil, acrylic, and ink on canvas - 60 x 40cm[/caption] I recently started doing conversations about art and what people in the art world think about their field of work. The first article was about abstract art with Guido Viaro, the writer from Curitiba, Brazil. Today's article is about figurative art, and for that I caught up with emerging artist Bazévian. He is primarily a portrait artist, specializing in capturing the homeless using oil pastel and china ink. Bazévian is originally from the north of France, and he grew up under...

February 24, 2015

Greg

in Art, Artistic Process, Behind the Artwork, Contemporary Art

Conversations About Art: Abstract with Guido Viaro

[caption id="attachment_3837" align="alignright" width="250"] One of Guido Viaro's favorite artists: Kandinsky - Improvisation 3 - Oil on Canvas (1909) - Centre Georges Pompidou[/caption] Guido Viaro and Abstract Art As a writer, Guido Viaro is currently working on abstract short stories, but it's abstract as an idea that influences him. "In my working room I’m surrounded by abstract paintings by Guido Viaro," he says of his grandfather of the same name. "I love all Kandinsky, perhaps for his previous studies of proportions and colors. I love Paul Klee for his fake innocence. I love Jorge Luis Borges for his short story “The Aleph”....

February 19, 2015

Greg

in Art, Artistic Process, Behind the Artwork, Contemporary Art, Criticism

2014 Year in Review: Greg Mason Burns

This was a huge year for me artistically. I had my first museum and gallery exhibits and produced some of the best paintings I've done. My work has developed in both the abstract and figurative realms, and my style has strengthened. Below is a video of my work in 2014. I hope you enjoy. You can see the videos on both my youtube and vimeo channels. https://www.youtube.com/watch?v=D9ZqXCxC1l4 ...

December 18, 2014

Greg

in Art, Behind the Artwork, Contemporary Art, Exhibit

My Favorite Artists: The Restoration of Matisse’s Swimming Pool

[caption id="attachment_3883" align="alignright" width="204"] Henri Matisse - The Swimming Pool (1952) - MoMA[/caption] Henri Matisse has long been one of my favorite artists. This is in spite of the fact that he probably isn't my favorite artist to study or even look at. He has probably influenced me more than any other artist. I never chose to use bold colors, but it's certainly a strength of mine, and Matisse's paintings, particularly A Glimpse of Notre-Dame in the Late Afternoon, absolutely helped me to understand that my use of colors works in the public eye. When to Use Archival Materials One thing that I've...

November 17, 2014

Greg

in Contemporary Art, Criticism

Movement and Period: Modernism

[caption id="attachment_3896" align="alignright" width="137"] The Gate - Hans Hofmann - 1959-1960 - Solomon R. Guggenheim Museum (via wikipedia) is Modernism[/caption] What in god's name is Modernism? It's a question that I've thought about often since a friend of mine figured I fit into the movement. I'm not sure that I fit into any movement, to be honest. I've been told I'm an Expressionist, partly because I express myself when painting (which seems a bit foolish) and partly because of the emotional reaction people get from some of my paintings. Another has called me a figurative painter with a flair for the...

October 27, 2014

Greg

in Contemporary Art, Criticism