Greg Mason Burns

Painting

Cityscape Series: Behind the Paintings

These cityscape paintings are some of the first that I did as an artist. It is not a coincidence that I created them when I first moved to Brazil. There's a huge difference between small-town Maine and big-city Brazil, and it's not the type of difference you get between small towns and big cities anywhere. City II - Oil on Canvas (2012) I had lived in several cities before moving to Brazil, but the level of caution that I needed to exercise with regards to violence was vastly different in Brazil than those other cities. I went from a sense confidence in...

Essen Coal #1 is an abstract photo of the Welterbe Zollverein mine in Essen, Germany.

Reception Theory as a Visual Art

Introduction of Reception Theory as a Visual Art Reception Theory as a visual art can be described as thus: Imagine a town, or a village, that does not exist in our reality but we know it is there nonetheless. We cannot visit it or touch the buildings or talk In order for this town to exist, this town must have been created before. And it was, by two entities. Actually, it was not created by two entities, but by the void that exists between the two entities instead. The town exists in the void. One entity (the communicator) provides the information of what this...

First Parish of the Abstract Artist abstract photo using blue, green, grey, and yellow

Redirecting the Message

Redirecting the Message: A Definition Redirecting the Message is an art project that revolves around misinformation and communication bias. I take images, words, and objects and re-purpose them into other forms so that a new message is created from the old one. This is a part of my Reception Theory project, which relates to communication and interpretation. Therefore, the purpose is to show how one message can easily be changed to mean something different. In other words, information is easily re-purposed to fit the communicator's agenda. As a result, the audience must decide what is real or not. What to Look For For instance, if...

Public Murals Brunswick ME

Public Art Commission: Brunswick, ME

I never expected to anything to come from joining the ArtWalk in Brunswick, ME. For one, the ArtWalk is mostly craft works. There are some fine artists, but very few abstract artists show here. Because I'm new to the area, I've been trying to drive traffic to my studio at the Fort Andross Mill. The ArtWalk is well-attended, so I figured I'd catch someone's attention there. What ended up happening was behind the scenes, and I got my first public art commission out it. First Parish Church in-progress in my studio The process was simple. The Downtown Association sent out an email...

Color Field Painting

[caption id="attachment_3617" align="alignleft" width="300"] Color Field #4 - Oil on Wood[/caption] What is Color Field Painting? Color Field painting, a derivative of Abstract Expressionism, is essentially the attention to color in abstraction as opposed to form or structure. The early Color Field painters, such as Mark Rothko, Clement Greenberg, and Clyfford Still created large works such that when one was standing up close one was absorbed in the color. Color Field has developed since then with various tendencies moving both further from shape and form and closer to it. What I'm Doing I'm developing color field in a way that combats the color against...

Behind the Painting: Igreja do Cerro Branco (and other small towns)

[caption id="attachment_3865" align="alignright" width="250"] Painting Small Towns: Igreja do Cerro Branco - Watercolor on Board (2014)[/caption] I grew up in a small town on the coast of Maine, mostly on an island but sometimes on a peninsula near that island, too. The shop doors would open in May and the tourists started trickling in around Memorial Day at the end of the month. Things would turn into a boom from the 4th of July until Labor Day at the beginning of September. When I was growing up, October was quiet but these days leaf peepers come in hoards, making October the...

Behind the Painting: Calle en Ardales

[caption id="attachment_3869" align="alignleft" width="172"] Calle en Ardales - Watercolor on Canvas Board - 28 x 33.5 cm (2014)[/caption] I've been climbing for about 15 years now. That's so hard to believe when I look back on those first few years. The man who introduced me to climbing passed away during a climbing accident not long after he got me hooked. On the day I found out, I went climbing. I still can't tell you why. I guess I just felt it was the right thing to do.For many years I wanted to go climbing in El Chorro, in the Malaga region...